Analog photography

I work with film photography as a conscious and deliberate process.

Analog photography invites slowness, presence, and intention. Each image is carefully considered, not multiplied. I don’t chase perfection or volume, but moments that feel true.

Using cameras such as the Mamiya C330, the Canon F-1, and now the Pentax 6×7, I create portraits and documentary-style images rooted in storytelling, emotion, and human connection. Film allows space for authenticity — it captures what unfolds naturally, without rush or performance.

Choosing analog photography is choosing something rare and precious: fewer images, but deeper ones. A timeless approach for those who value meaning, memory, and the beauty of what is real.

I approach analog photography as a conscious alternative to speed, excess, and instant consumption.

In a world driven by immediacy and automation, film invites presence, patience, and attention. Each photograph is intentional — not repeated endlessly, but lived fully in the moment.

If the client wants, I sometimes choose expired films, aged ten or twenty years, allowing unpredictability and chance to become part of the image — a reminder that beauty often lies beyond control. A way to be playful and spontaneous.

Analog photography is not about producing more, but about feeling more.

It is a slower, more intimate process, where time is respected and each image becomes a trace of a shared moment — imperfect, timeless, and deeply human.